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Laurencin's work pursues a strong feminine aesthetic specifically by her use of pastel colors and curvilinear forms. Her insistence on the creation of a visual vocabulary of femininity, which characterized her art until the end of her life, can be seen as a response to what some consider being the arrogant masculinity of Cubism.
Laurencin was a painter, designer, and illustrator who found success despite the male-dominated art world of her time. She began her studies in porcelain design at the École de Sèvres factory before moving on to painting at the Académie Humbert in Paris. At the time, between 1903 and 1904, classes were free for women. While there, she met Georges Braque and Francis Picabia, who introduced her to their inner circle of artists, including those who participated in the Le Bateau-Lavoir workshop in Montmartre, the quarter of Paris in which Laurencin was born.
Tru Vue Conservation Clear® picture framing glass offers the highest level of UV protection available in the industry. Over time exposure to indoor and outdoor UV light rays can contribute to fading and deterioration of art, photographs and other important personal keepsakes. Conservation Clear glass effectively blocks up to 99% of UV light rays to protect against fading and help keep framed pieces brighter, longer.
Tru Vue Conservation Clear® Care:
Never spray directly onto the glass- the cleaner could leak into the frame and damage the image
Archival Mat Board
Also known as conservation mat board, this is the highest-quality paper matting material available. It is constructed of 100% acid- and lignin-free alpha-cellulose (wood pulp) and treated to resist deterioration and discoloration for up to 300 years.
Archival-safe Foam Core
Foam core is used to cushion the image in its frame. Ours is constructed of acid-and lignin-free face paper layered atop an extruded polystyrene core for superior resistance to temperature changes and humidity.
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